Smaro Gregoriadou

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Κριτικές - Τύπος

Reinventing guitar, Vol. 2 - Κριτικές

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Reinventing guitar! - Κριτικές


 

Σμαρώ Γρηγοριάδου: η διαρκής γέννηση του κλασικού.

Ζει και αναπνέει η μουσική έρευνα, με αποδέκτες όχι τη συνοφρύωση των ειδικών ή τη σκόνη των βιβλιοθηκών, αλλά τα αυτιά και την καρδιά του ακροατή. Η Σμαρώ Γρηγοριάδου ανήκει σε εκείνο το είδος των καλλιτεχνών της εποχής της Αναγέννησης, τότε που την προσωπικότητα του καλλιτέχνη δομούσαν οι σπουδές, οι ιδέες, η έρευνα αλλά και οι επιδόσεις του σε πολλές και διαφορετικές τέχνες. Στις μέρες μας που όλοι ασπάζονται την ειδίκευση και δυστυχώς η τέχνη ασφυκτιά μέσα στη στείρα μονομέρεια, μια τέτοιου είδους πολυσχιδής προσωπικότητα αποτελεί σπάνιο είδος.

Ιανουάριος 2010. κ. Λιάνα Μαλανδρενιώτη, μουσικοκριτικός, περιοδικό ΔΙΦΩΝΟ 

Η Σμαρώ Γρηγοριάδου είναι μια κορυφαία πολυσχιδής δημιουργός και κιθαρίστα. Το συνθετικό της έργο, αν και ολιγάριθμο είναι άκρως σημαντικό με αριστοτεχνικές συνθέσεις οι οποίες την καταξιώνουν ως μία εκ των σημαντικωτέρων δημιουργών στη χώρα μας...

Μάιος 2009. κ. Θ. Ταμβάκος, μουσικοκριτικός, περιοδικό JAZZ & JAZZ 

Η Σμαρώ είναι ένα μεγάλο ταλέντο που έχει την ικανότητα να ισορροπεί την καταπληκτική της τεχνική με το πλούσιο συναίσθημά της. Είναι αυθεντική και καθαρή. Καθαρή! 

Φεβρουάριος 2009. κ. Amalia Ramirez, διευθύντρια του κατασκευαστικού οίκου κιθάρας Ramirez 

…Μία εξέχουσα νέα μουσικός που συνδυάζει δεξιοτεχνία και αντιληψη με συνειδητοποίηση στόχου, αυθεντική προσήλωση και ένα ισχυρό πνεύμα συνεργατικότητας.

2/11/1994. Prof. G. Hadjinikos, conductor- concert pianist.

ΕΠΙΛΕΓΜΕΝΑ ΑΠΟΣΠΑΣΜΑΤΑ ΤΥΠΟΥ

…an excellent, sensitive, inspired and dedicated soloist of the classical guitar. She possesses qualities which characterise great interpreters. The guitar will benefit a lot from her serious and dedicated work and presence.

1/10/1994. Prof. Y. Kertsopoulos, concert guitarist-luthier-founder guitar’s “mathematic model.”

…with her talent and great sensitiveness she will reach the highest point in the world of music.

November 1990. Prof. J. Castro- Balbi, concert guitarist.

…I have heard Smaro in concert, where she successfully projected her musicality and personality. She is a very able and dedicated guitarist

29/11/1996. Prof. C. Bonell, concert guitarist.

… One of the most difficult compositions in guitar’s repertory, Concierto de Aranjuez for guitar and Orchestra, was interpreted by guitar soloist Smaro Gregoriadou with accuracy, precision and total coordination…

3/1/1995. “PROINA NEA” newspaper of Greece, Ioannina.

…So special her sound, so very rarely achieved by guitarists!

March 1996. “ELEFTHEROTYPIA” newspaper -“EPSILON” review of Greece, Athens.

…The achievements of this superb musician on the technical and sound quality fields, have undoubtedly opened new perspectives of interpretation in the repertory of the instrument!

February 1996. “APOGUEUMATINI “newspaper of Greece, Athens.

…Smaro Gregoriadou left audience speechless with her faultless technique and musicality…

20/12/2001. “APOGUEUMATINI” newspaper of Greece, Athens.

…Smaro Gregoriadou touched in an almost “magical” way these new strings by Kertsopoulos and spread their light in Greek and international music festivals…

9/7/1997. “ENIMEROSI” newspaper of Greece, Corfu.

...Her talent created an enthusiastic response from the audience that applauded the creativity of this young artist who has a lot to promise in the field of classical guitar…One of the most interesting concerts of Dimitria 2001…

20/12/2001. “ELEYTHEROS” newspaper of Greece, Thessalonica.

...Guitar sounds in absolute expressiveness…A remarkable recital, authenticity in style…

April 2001. “ELEYTHEROS TYPOS” newspaper of Greece, Athens. Classical.net, the Internet's premier classical music source

SELECTED PRESS EXTRACTS 

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…an excellent, sensitive, inspired and dedicated soloist of the classical guitar. She possesses qualities which characterise great interpreters. The guitar will benefit a lot from her serious and dedicated work and presence. 1/10/1994. Prof. Y. Kertsopoulos, concert guitarist-luthier-founder guitar’s “mathematic model.”

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…with her talent and great sensitiveness she will reach the highest point in the world of music. November 1990. Prof. J. Castro- Balbi, concert guitarist.

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…I have heard Smaro in concert, where she successfully projected her musicality and personality. She is a very able and dedicated guitarist 29/11/1996. Prof. C. Bonell, concert guitarist.

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… One of the most difficult compositions in guitar’s repertory, Concierto de Aranjuez for guitar and Orchestra, was interpreted by guitar soloist Smaro Gregoriadou with accuracy, precision and total coordination… 3/1/1995. “PROINA NEA” newspaper of Greece, Ioannina.

…So special her sound, so very rarely achieved by guitarists! March 1996. “ELEFTHEROTYPIA” newspaper -“EPSILON” review of Greece, Athens.

…The achievements of this superb musician on the technical and sound quality fields, have undoubtedly opened new perspectives of interpretation in the repertory of the instrument! February 1996.“APOGUEUMATINI “newspaper of Greece, Athens.

…Smaro Gregoriadou left audience speechless with her faultless technique and musicality… 20/12/2001. “APOGUEUMATINI” newspaper of Greece, Athens.

…Smaro Gregoriadou touched in an almost “magical” way these new strings by Kertsopoulos and spread their light in Greek and international music festivals… 9/7/1997. “ENIMEROSI” newspaper of Greece, Corfu.

...Her talent created an enthusiastic response from the audience that applauded the creativity of this young artist who has a lot to promise in the field of classical guitar…One of the most interesting concerts of Dimitria 2001… 20/12/2001. “ELEYTHEROS” newspaper of Greece, Thessalonica.

...Guitar sounds in absolute expressiveness…A remarkable recital, authenticity in style… April 2001. “ELEYTHEROS TYPOS” newspaper of Greece, Athens.